“Move about after dinner, and meet acquaintance whose name I have forgotten, but connect with literature. I ask if he has published anything lately. He says that his work is not, and never can be, for publication. Thought passes through my mind to the effect that this attitude might with advantage be adopted by many others.” EM Delafield, Diary of a Provincial Lady, one of my favourite books
Last Tuesday, I had an epiphany while on the elliptical trainer. I realized that my new work in progress is all wrong. I was 21000 words in, and I had been going about it all wrong. All wrong! I decided I was going to just start over, from the very beginning, rather than pivoting and making changes in the next draft. Two days later, I got my period.
Many of you will remember that 2023 was a year of change and transition for me, not to mention a year of numerous non-hormonal emotional breakdowns. We moved here in July of 2023, and by late August I was a bit at loose ends, having unpacked and settled in. I missed my yoga students and I missed teaching, but I could not handle even the thought of starting all over again in that world.
My husband encouraged me to take some creative writing courses and write that book I’d always talked about, and in the fall of that year I registered in a series of online courses at UBC to do just that. With my yoga students in mind, and with great nostalgia for the Calgary Yoga Shala, I planned my story. I took the first two UBC courses – How To Write a Novel: Structure and Outline, and Writing the Draft – that fall, and I took the third and final course, Edit and Revise, in January 2025, at which point I was starting my third draft of what would become Inhale Exhale. It took me just shy of six months to write the first draft, and then a year after that to revise it to something I was satisfied with.
I spent a lot of time soul-searching and meditating about what to do with my project. It was written with joy; it was such a happy and fun process, taking an idea and creating characters. I was very happy with the end result, and I wanted to share it with the world. But how?
Last week, in my Monday night writing group – created while taking the UBC courses – my friend Jen said something that really resonated with me (HI JEN). She said that turning 50 made a switch go off for her, a sense of urgency. There’s no time to fuck around anymore. It’s really true. I have found, since turning 50, that I have a desperate urge to do all the things that I thought I would do someday. I might live another 50 years, it’s true, but I also might not. When it comes to friends, family, and former classmates, there have been an astonishing number of deaths, death scares, and diagnoses in the past couple of years. No one knows how much time we have left. What if I die before I do the things I want to do?
I don’t know how much you know about the publishing industry, but the path to traditional publication is complicated and full of blockades. The typical path is that after many, many months of querying, an author gets an agent, who may or may not be able to sell a book to a publisher, and that book may or may not see the light of day. It’s a very long process at the very best of times, and unless an author is of Elin Hildebrand or Stephen King stature, there is almost no money to be made. Very few authors earn out their advances, and when asked the question about how authors pay their bills, my creative writing instructor said they get a second or third job, like teaching creative writing. Something that may surprise you is that book tours are funded at least partially, if not totally, by the author, not the publisher. Authors are expected to do a lot of the legwork in terms of promotion, and on top of that, the royalty percentage through traditional publication is very small.
So one does not write a book for the money, but that’s okay, because I wasn’t. I was writing a book because I wanted to write a book; I love writing, and I hoped that people would read and enjoy my writing. I did not want my book to sit in a drawer, unread, while I desperately queried agents for years, getting rejection letter after rejection letter. Do you know how often rejection happens? It’s a real thing, and I guarantee that all of your favourite authors went through many rejections before being published. As an example, Lisa Genova’s Still Alice was rejected over one hundred times, at which point she self-published. It was picked up later and reissued by Simon and Schuster, but still. OVER ONE HUNDRED REJECTIONS. Kathryn’s Stockett went through sixty rejections over three and a half years before someone picked up The Help. New authors can be rejected dozens of times AT MINIMUM, and I just didn’t have it in me. Also, as mentioned before, I didn’t feel I had time.
So I decided that I was going to go the hybrid publishing route, which means that as an author, I would pay for editing services, cover design, and promotional and positioning assistance. I had done a cost-benefit analysis, being an economist, and decided this was the way to go. I had received a monetary gift from my parents for my fiftieth birthday, and I felt that there was no better way to spend it than to invest in something that had been a lifelong dream for me. My thinking was that even if I failed, even if I did not sell one single book, even if everyone who read it hated it, at least I would have tried. At least I would have accomplished something I always wanted to accomplish.

And I’m so glad I did, friends. I’m just so glad. Live your life with arms wide open! Do the thing, take the chance, dip your toe into the water. We don’t know how much time we’ve got, so let’s take advantage of life while we can.
Weekly Reading
As I alluded to last week, I had some great reads this week. Oh, I am excited to talk about them!

Heart the Lover. I have been waiting so long to read this and wow, it did not disappoint! I loved it so much. Lily King is such a talented writer; she conveys so much emotion in such a spare and economical way. This book is filled with emotion and absolutely heart-wrenching scenes. It shows us how choices affect our lives, and what it is like to take a turn at the fork in the road. It’s about past loves and current lives, and how mistakes, pride, regrets and lapses in judgement colour our world. She perfectly conveys what it is like to be in love at a young age, she perfectly conveys what it is like to build a life with a long-standing love. One thing I really loved is what it was like to have a long-distance relationship in the late 80s/ early 90s. It was HARD to get in touch with each other. Letters took a long time and phone calls were expensive. She smoothly moves between timelines in a deft and perfect way. I LOVED THIS BOOK.

Why We Can’t Sleep. My friend and book twin Anna (HI ANNA) had mentioned this book, and she said that it was both interesting and depressing. She was right on both counts! This is all about Gen X girls such as myself entering midlife, and all of the challenges we as a generation face. I found a lot of it relatable, although not all – some pieces seem to me to be uniquely American, such as crippling debt from student loans and medical bills, along with short or nonexistent unpaid maternity leaves. Still, there’s lots for us Canadian girlies to relate to. To me the most interesting part was the chapter entitled “The Very Filtered Profile Picture” for the discussion of body image and aging. I laughed – out loud! – at the quote “I’m not looking for inner peace,” a friend quipped when I asked her about why she skipped the resting stage of Savasana at the end of a yoga class. “I’m looking for outer hotness.” I also liked the discussion about seeing the task of living well in a negative, self-punishing way, such as “I should be exercising more/ eating better/ being the most mindful ever.” This was published in 2020, and I wondered what the author would say these days, post-pandemic, insane-news-cycle. Then I remembered she authored the WILD novel Crush, about polyamory, in 2025. Was that what was happening for her during the pandemic? I mean, I can only speculate.

Surfacing. CANLIT FOREVER! I don’t know how I got to this age, as a lifelong Margaret Atwood fan, without reading this book! This is the type of book that requires careful line reading and analysis; it contains a lot of symbolism, with themes of gender and national identity. This was published in 1972, which was a time of great importance for Canadian identity, as well as for feminism, and these parallel themes weave together in a story about a woman searching for her missing father in an island in northern Quebec. I really loved it.
Thank you to everyone who entered into the giveaway for a signed copy of Inhale Exhale; the winner of the random draw is Lorraine Anderson! Congratulations, Lorraine! I will contact you for your details. A huge thank you to everyone who has purchased a copy! If I may impose, it would be SO helpful if you left a (five star?) rating and review at Goodreads, Storygraph, or Amazon? Reviews are incredibly important, especially for new authors. And thank you all for being here. I hope you all have a beautiful week. xo


























































