I was just finishing preparing dinner the other night when I heard a very familiar guitar riff. I left what I was doing to run to the living room, which sounds dramatic, but it’s literally five steps away.

Rewinding twenty-seven years or so, I was modestly famous among my friends in grad school for my uncanny ability to identify a song – title and artist – by hearing only the first half-second of the opening chord. We Are Family! Sister Sledge! I would yell at Name That Tune Night in the grad lounge. I Am Woman! Helen Reddy! My abilities meant our team consistently came in first, although I don’t think I would be able to do that now, with any kind of modern music. And by “modern,” I mean music that came out this millennium. Maybe I’d be able to identify some Pitbull or Eminem, but even so, I would have to hear at least thirty seconds of a song before accurately naming it.
But essentially any song from the last century I’m good at both identifying and also singing all the lyrics to, and when I heard that familiar guitar whine I was excited because I knew Jesus Christ Superstar was on TV. Why now? I have no idea. I always think of it as an Easter show, but here we are, in September, learning about the Crucifixion.
The very best part of Jesus Christ Superstar is the beginning, when all those hippies are getting ready for the play. I could watch the overture over and over. I love seeing them create – and strike – the set, and getting into their characters. I also love Herod’s Song – who doesn’t? prove to me that you’re divine, change my water into wine – but honestly, the whole musical is kind of bland to me. Don’t you get me wrong but other than three or four songs, I think the music is boring and the whole thing is kind of a downer. You might be saying to yourself well, consider the subject matter, but the American war of independence, political corruption in Argentina, and a creepy disfigured man living underneath an opera house who is obsessed with a young ingenue singing his arias are not exactly uplifting either, and yet I love every moment of Hamilton, Evita, and The Phantom of the Opera.
I love musicals generally so I was very excited to be invited to watch Mamma Mia! with the girls at my friend Carolyn’s home theatre (HI CAROLYN). When I say “home theatre” I mean she actually has a literal theatre in her home. It’s one of the most incredible things I have ever seen inside someone’s house. Anyway, given my deep love for disco generally and ABBA specifically, it was surprising that I hadn’t ever seen this before, but I hadn’t, and I found it absolutely delightful. PIERCE BROSNAN AND COLIN FIRTH. Rawr. That girl seems too young to get married, I thought, like the aged woman that I am, but what a fun movie. Plus, did I mention Pierce Brosnan and Colin Firth.
It occurs to me that there are many, many pop culture mainstays that I have never observed myself, although I am well aware of their contribution to our society. For example, I have never seen a single episode of Cheers, the movie Groundhog Day, or Star Trek in any iteration. I have never watched Gilmore Girls, Dawson’s Creek, or The Fresh Prince of Bel-Air, although I can to this day rap every single word to Parents Just Don’t Understand. Okay, here’s the situation, my parents went away on a week’s vacation…
Everyone could save time by just assuming that the answer is “no” when wondering if I have seen any film or television adaptation of any book, ever, other than Little Women or a Jane Austen. I reread Bridget Jones’ Diary so many times that I have parts memorized, although now it seems very dated and quite toxic. I have never seen the movie, though, because I loved the book so much at the time that I couldn’t bear to see anything changed, even if Colin Firth WAS in it. That’s right, Mr Darcy himself couldn’t change my mind.
Weekly Reading
I have SO much to talk about this week, in terms of reading. Here we go!

The Burnout. This is a very cute, light read about a woman named Sasha who is suffering burnout at work; after a small breakdown she heads for the beach that she frequented as a child to stay at the once-fancy hotel. The hotel has gone through some rough times, and honestly the hotel staff and description of the issues are hilarious. She meets up with a man who is similarly burned out AND also frequented this same beach as a child. You can probably guess what happens! Let’s not overthink this. It’s just fun.

Every Last One. This is the type of book I like thinking about more than I liked reading, if that makes sense. It follows a family in a small town in which there are many interconnected characters – kids’ friends’ parents are the parents’ friends – and a massive tragedy strikes. I thought I knew how things were going to go in this book and so I was very surprised when, after kind of a sleepy first half, there was a massively dramatic event halfway through. I think if you’ve ever parented teens you will recognize the particular challenges involved here, even without the tragedy. But the book begs the question: if you build your entire life around your kids, what happens when they aren’t around? I found myself thinking about this book a lot, but as I said, I didn’t love it. The writing style hops back and forth in time, which is interesting but can be a bit confusing. It’s a little slow and sleepy, even with the Big Dramatic Event.

Long Island. This is the sequel to Brooklyn, which I recently read, and despite the title, it mainly takes place in Ireland in 1976. After our protagonist Eilis discovers that not only has her husband slept with another woman, that woman is pregnant. The pregnant woman’s husband is going to just…deliver the baby to Eilis and her husband to raise, as he will not raise a child who is not his. What? Well, Eilis does not want anything to do with this baby, but her in-laws – who live next door, I feel seen – do. This strange storyline is the reason Eilis decides to go visit her mother in Ireland, who is turning 80, where she reconnects with an old flame. My friend Hailey (HI HAILEY) described this as a book where the characters have big emotions and face big issues, but the author only skims the surface, and I think that’s a perfect description. But, as with Brooklyn, I was left wanting more, wanting to know what happens next. And I didn’t get that. Maybe it’s the setup for another sequel.
We are now officially in fall! Happy first week of fall, friends! xo

















































