Spring Has Sprung, The Grass Is Riz
Picture it: it’s 5:10 on a random weekday morning. My son and I are in the kitchen, silently but companionably together. I am drinking coffee and typing, and he is drinking his breakfast smoothie and staring off into space. Suddenly, I hear something I haven’t heard for a long time: birds chirping.
There are birds everywhere here in the winter; every day I see countless ducks and very scary Canada geese on my walks, there are families of quail cutely scurrying around our yard, there are magpies and hawks flying overhead and little chickadees darting around, there is even a bald eagle that I will sometimes see near the lake. There is no shortage of bird life, but last week was the first time this year that I heard the birds chirping in the early morning. I listened to them while I finished my coffee and rolled out my yoga mat, and then I watched the sky brighten into morning, and it felt very Mary Oliver.
But Now They Only Block The Sun
I always have a song running through my head, although it’s never a birdsong. Last week I had Jump by the Pointer Sisters stuck in my head for days. Days! And there are not a whole lot of lyrics involved in that song, and so my brain kept saying “Jump in! And feel my touch. Jump! You want to taste my KISSES in the NIGHT then” over and over, including, weirdly, the key change. This was a weird and sudden change from the song that was in my head previously, which was Total Eclipse of the Heart, thanks to astrological current events, but not the Bonnie Tyler version, the version from the Old School wedding scene.
The eclipse itself was a non-event for me; we aren’t in the path of totality, but even if we were, it was so cloudy and overcast that I didn’t see the sun all day. Clouds got in my way, people.
Girl, Put Your Spotify On
“Hey Mom,” my older son said the other day, “You know all those old hippies who left Spotify for moral reasons? They’re back!” I knew exactly what he was talking about, because Both Sides Now and Carey suddenly reappeared on my favourite Nicole Karaoke playlist. I have no judgement about this, only gratitude, as a) we all have a price and everyone needs to put food on the table, and b) I have no other way of listening to music anymore, and I really did miss Joni Mitchell.
As mentioned last week, I have been awash in nostalgia lately, and one of the things I was thinking about was how my – and all of our – music listening habits have changed over the years. There are many things to miss about the past, but I do not miss paying $20 for a CD to listen to one or two songs. We have a family subscription to premium Spotify, and so I listen to anything I want, all the time.
The only problem is that if Spotify ever goes down, I am going to be at a total loss. I have no backup. I have hundreds of hours of music and podcasts downloaded, I have mood mixes and workout We still have some CDs; they actually survived my purging and the move, but I do not know why. I have no way to play them, even if I did want to listen to all of Hall and Oates greatest hits. No shade to Hall and Oates, obviously.
Whoa Here She Comes
I thought I had shared this story numerous times, and perhaps I have, but I cannot find anything in the archives to indicate it, so I shall share it again. Many years ago my husband and I were hosting a dinner party. The guests were his work colleagues and their wives, and after several bottles of wine we pounced upon a topic of much interest to me, and that is that if you were to have a theme song that would play every time you entered the room, in the manner of Darth Vader, what would your theme song be? My husband chose Welcome To The Jungle and one of his colleagues went with Gangsta’s Paradise; the company that they worked for was quite a formal and conservative one, which made their answers all the more amusing. I imagined Slash’s wild guitar riff screaming as my husband entered a board room in his suit, and Coolio’s beats playing as his colleague swiped his card key to access the 33rd floor. One woman suggested Lose Yourself, which would be a great entry song for anyone, really. My choice was Maneater, and to this day every time I hear the start to that song, I lift my head a little higher and strut a little more. My song! I think, as if it’s actually happening, as if suddenly the world over hears Maneater every time they are in my vicinity.
We had a dinner conversation about this the other day, and my younger son said that he’d put a lot of thought into this very question over the years, and his theme song of choice is Come Out And Play. I agreed that it was perfect; my older son chose Pretty Fly For A White Guy, but was now questioning this, because could we really have two Offspring songs in the same family? My feeling was that it would be natural for two brothers, especially those that are close, to have songs from the same band, particularly since those songs exactly suit each of their very different personalities. The conversation got quite involved and a little heated, as if this is something that is really happening, that we are really living in a world in which music automatically starts playing each time someone encounters us.
Rex is indifferent to music, it seems, and I had unimaginatively assigned him Who Let The Dogs Out, but I think the more appropriate song is Are You Ready For This?
Weekly Reading
The Berlin Stories. Continuing on my nostalgia streak, and prompted in part by last week’s reading of The Women In The Castle, I dug out my old copy of The Berlin Stories, which was written in the 1930s, based on Christopher Isherwood’s time in that city. I first read this in 1994, if the stamp from the university used bookstore can be believed, and it was for a German history course I took, which was hands down one of the best elective courses I took in university. In 1994, though, a lot of this book was lost on me, and I have found now with more life experience (“my thesis is on life experience”) that I was fully able to appreciate this book, which requires a LOT of “between the lines” reading. It is a fascinating book on so many levels. If you don’t know, which I did not know in 1994, Berlin during the Weimar Republic was a city of personal freedom and expression, and a haven for what is now known as the LGBTQ+ community, of which, of course, Isherwood was a part of. In all of Europe, Berlin was open, welcoming, and accepting, and most of the book is about the people who Isherwood met and knew at the time. The cast of characters is wild and really shows what life was like at that time: from poverty due to the massive inflation to earned and unearned wealth, from showgirls and prostitutes to bartenders and yodelers, from expats to hustlers, this book really runs the gamut. Throughout the book are brief and passing references to political changes and the Nazis, and then near the end, those changes really ramp up in a pretty terrifying way. One of the most chilling anecdotes concerns a Jewish man whose family owns a very successful department store; he dies of “heart failure,” and there is a line about how there has been a lot of heart failure in Germany lately, hearts are known to fail when there is a bullet put through them. The book ends in 1932, and the last thirty pages or so are absolutely terrifying, not in the least because there are some really uncomfortable parallels that could be drawn between this period of time and the present. Listen, we all know I’m not an alarmist, or a politically dramatic person, but it is undeniable.
Woof, that is a pretty bleak note to end on, so I will tell you that I just had the loveliest weekend – it’s been warm and beautiful, and we hosted a barbeque to celebrate my upcoming birthday. What could be better than friends, wine, and cupcakes? Nothing, that’s what. xo
